Our friends over at the New York One-Minute Play Festival blog have given us and our playwrights a little bit more press, and we're seeing double. 


First, they talk to Garret Groenveld.  Garret, one of Playwrights Foundation's resident playwrights, recently was a finalist for the Global Age Project with his work The Serving Class.  Not only a playwright, Garret reflects on the First Annual One-Minute Play Festival with a little bit of his background in poetry:

And here’s a case for poetry.  Critiques often say, “The writing was poetic.”  When it’s not, it might be elegant, it might be labored or it might even be full of flourish, but not poetic.  It’s poetic when it transports, when the unexpected is achieved through a combination of language, metaphor and spatial relation on the page/with the audience.

And then goes on to show his frustration with it:

I also argue against poetry.  Just say it, already and get over yourself!

Read the rest of his interview HERE.

The other mention we have is with Bay Area Playwright Festival and ROUGH Readings alum, Geetha Reddy.  She gets out all of her frustration, but telling the New York One-Minute Play Festival blog just how difficult it is to be a writer sometimes:

Here is what happens when your director sends you this email:
“Love your one minute play! Can you cut 30 seconds?”

First a Tantrum:
No. No I can’t. How can you ask me that!

See her hilarious account over at the NYOMPF blog.
Thanks for the New York One-Minute Play Festival for posting these, yet again, and DO NOT FORGET! This weekend: Saturday, 18 December, and Sunday the 19th are the FIRST EVER... FIRST ANNUAL San Francisco One-Minute Play Festival.  Tickets are ALMOST sold out, so don't forget to grab yours here!

USArtists Announces Fellows of 2010 (And We're Proud!)

Every year the United States Artists awards millions of dollars to artists of all kinds, from Architects and Designers to those involved in Theatre Arts.  This year $2.5 million was awarded to these 50 different artists.  Why do we at Playwrights Foundation care so much?  Aside from it being quite the feat for ANY artist to achieve, one that should be applauded and recognized anyway, Playwrights Foundation is proud to announce that not one, but TWO alumni are recipients of this years USA Fellowship!

Rajiv Joseph, writer of the Pulitzer Prize nominated Bengal Tiger at the Baghdad Zoo finds himself at the receiving end of the highly esteemed $50,000 USA Fellowship.  And to think, Tiger was just a cub in our ROUGH Reading Series, back in 2006.  The LA Times talks about just how big of a deal this prize is:

Joseph and 49 other artists -- including four from Southern California --  were announced Tuesday as this year’s USA fellows. The $2.5 million in combined annual fellowships, first awarded in 2006, dwarfs all of the nation’s annual arts prizes except the MacArthur Fellowship, which currently antes up nearly $4 million a year for artists. MacArthur fellows get $100,000 a year for five years, and artists typically account for about a third of the 25 or so winners of the annual MacArthur “genius grants.” (source)

Wait, didn't we say there were two?  Yes!  Also from the 2006 ROUGH Readings comes fellow 2010 USArtists... fellow... is Brighde Mullins, who also received the Pinter Review Gold Medal for her work, Fire Eater about the Irish potato famine.

Congratulations to Rajiv, Brighde, and all of the other awarded artists, you all deserve it!

Read more about United States Artists over at their website, and see what other artists have been awarded!

Steve Yockey and the One-Minute-Play-Extravaganza

A recent face in Playwrights Foundation history has managed to go under our radar with talking to the New York One-Minute Play Festival blog, so we at PF apologize for not running this story sooner!  Steve Yockey, who recently had his new play, Wolves, read in our ROUGH Readings series discusses his involvement in both the First Annual LA and First Annual SF One-Minute Play Festivals.

I immediately thought the timing was going to be the hardest part. And it’s been a fun challenge to get my head around the time & production restrictions. But the comment that struck me most in the big explanation e-mail we all received was, “Also, while comedic plays are always a big hit, plays that tackle more serious themes are encouraged too!”

Check out what he has to say over at the NY One-Minute Play Festival blog!

Don't forget that Saturday Saturday Saturday! AND SUNDAY! Is the FIRST EVER San Francisco One-Minute Play Festival (December 18, and 19 at 8PM, and 7PM respectively).  Never before seen one-minute plays will be flying through the stage of the Thick House like a whirlwind of theatre, blowing minds instead of wind!  Don't forget to reserve your tickets over at Brownpapertickets.com!

More Press from The NY One-Minute Play Festival Blog!

Playwrights Foundation resident playwright, Marisela Treviño Orta talks to our friends on the East Coast, The New York One-Minute Play Festival blog about her role in next weeks FIRST Annual San Francisco One-Minute Play Festival.  She recalls her difficulty finding the right subject about which to write:

When I was first asked to submit plays to this festival I originally thought of digging up one of my prose poems. The last prose poem I wrote had been a special request of sorts. Fellow Bay Area playwright Aaron Loeb had asked several of us who were coming to celebrate his wife’s birthday to write short plays for her.
Like really short.
Like one-page short.
I opted to write a poem inspired by one of my works-in-progress because I felt sure I just couldn’t write a play that short.
Guess the joke’s on me ‘cause then I was asked to participate in this one minute play festival.
At first I looked through my poems to try and find something I could adapt into a play, even looked at the poem I had written for Kathy, but nothing seemed to fit…nothing felt…right.
I’m big on intuition when it comes to playwriting, that’s because I became a playwright quite by accident. Everything I’ve learned has been on the ground, so to speak. And it seems to me that the fewer pages you have, the more precise your writing needs to be. There’s no wiggle room here. Full lengths have lots of space to explore, ten minute plays hit the ground running establishing relationships and backstory quickly and one minute plays…well…they seem to be moments.

At least mine were.

Read the rest over at The New York One-Minute Play Festival Blog.

Come see Marisela, tons of other playwrights, and their one-minute plays NEXT WEEKEND (December 18 and 19, 2010) here in San Francisco!  Tickets are selling quick, so click here to purchase yours!

PF Alumni Get the Star Treatment!

Two recent veterans of our humble theatrical organization have recently received quite the star treatment.

First up, we need to congratulate past ROUGH Readings playwright, Rajiv Joseph for his Pulitzer Prize finalist play, Bengal Tiger at the Baghdad Zoo, for getting its BROADWAY Premiere! Oscar winner Robin Williams returns to Broadway, this time not for his unique brand of stand-up comedy, but as the eponymous character of "Tiger," with Tony nominee Moisés Kaufman directing.  The curtain goes up for previews March 11, 2011, and tickets are on sale now!  Playbill.com has the scoop:

"Rajiv Joseph's ferocious comedy…follows the intertwined lives of a tiger (Williams), two American marines and an Iraqi gardener as they roam the streets of Baghdad in search of friendship, redemption and a toilet seat made of gold."

Another Playwrights Foundation vet's star is rising.  Marcus Gardley, of various ROUGH Readings, and Bay Area Playwrights festivals of yesteryear has received enormous praise for his play Every Tongue Confess at The Arena Stage in DC, from The Washingtonian, having been awarded 3.5 out of a possible 4 stars:

Something is rotten in the state of Alabama in Marcus Gardley’s new play at Arena Stage, Every Tongue Confess—particularly in Boligee. The town is suffering through a litany of strange events—the temperature is 103 and rising, hailstones are falling and melting into the arid ground, and a string of churches have been set on fire. To make matters worse, ghosts seem to be lurking...

 Every Tongue Confess only runs until January 2.  THAT'S ONLY ANOTHER MONTH! Theatre-goers in these areas, do NOT sleep on these two plays, believe me.  Even Playwrights Foundation Artistic Director, Amy Mueller made it out for Every Tongue Confess, so it's worth the country-wide flight, and while you're there, make sure to book a flight and tickets for Bengal Tiger at the Baghdad Zoo, as well.

Write on, playwrights!

Festival Alum Reflects on Writing One-Minute-Plays

Bay Area Playwrights Festival alum, and all-around cool lady, Erin Bregman, shares her thoughts on writing for the FIRST ANNUAL SAN FRANCISCO ONE-MINUTE PLAY FESTIVAL (December 18th & 19th at the Thick House, in Potrero Hill) with the NY One-Minute Play Festival Blog:

Six weeks ago I opened the longest, most exciting email I had ever received from someone I didn’t know–it was Dominic D. soliciting writers for the 1^st annual San Francisco One-Minute Play Festival. (Actually, that’s only a half truth. The email was partially authored by the beloved Jill MacLean of the Playwrights Foundation, but we’ll let that particular detail slide for the sake of superlative.) Like any responsible person would do after receiving an emailed request from a total stranger, I wrote back immediately and accepted his proposition.

Read the rest over at their blog: “Writing a one-minute play wasn’t nearly as hard as I thought it would be.”

Come see Erin, and our whole plethora of plays, playwrights, and actors December 18 and 19 at the Thick House: 1695 18th St, between Carolina and Arkansas.  Tickets are $15: http://www.brownpapertickets.com/event/137981