Rajiv Joseph gets "Gruesome"

It's quite the start of a year for Playwrights Foundation alumnus, Rajiv Joseph.  Now we all know about his Broadway debut and Pulitzer finalist Bengal Tiger at the Baghdad Zoo, but we cannot forget his other works!  Currently running at the Second Stage Theatre, also in lovely New York City, is Gruesome Playground Injuries, a play where two lovers compare their lives in the form of their physical scars.  Playbill.com has the scoop:

Courtesy of Second Stage Theatre

In the case of Gruesome Playground Injuries, now playing at New York City's Second Stage Theatre, Joseph came up with the title before the story had taken shape. "I was having drinks with an old friend of mine," recalls the playwright, who recently had Gruesome produced at Houston's Alley Theatre and at the Woolly Mammoth Theatre in Washington, DC. "He was telling me stories about the many bizarre mishaps that have left scars all over his body, and I realized that if you were like him, you could mark the chapters of your life with injuries. As soon as he got up to get us more drinks, I took out a piece of paper and wrote down the title of the play."

Read the rest, get to know the playwright, and go out and see Gruesome Playground Injuries before it leaves, if you're in the area!  Don't forget Bengal Tiger at the Baghdad Zoo opens in March with Robin Williams in the eponymous role, and will be THE play to see this year.

Our friends over at the New York One-Minute Play Festival blog have given us and our playwrights a little bit more press, and we're seeing double. 


First, they talk to Garret Groenveld.  Garret, one of Playwrights Foundation's resident playwrights, recently was a finalist for the Global Age Project with his work The Serving Class.  Not only a playwright, Garret reflects on the First Annual One-Minute Play Festival with a little bit of his background in poetry:

And here’s a case for poetry.  Critiques often say, “The writing was poetic.”  When it’s not, it might be elegant, it might be labored or it might even be full of flourish, but not poetic.  It’s poetic when it transports, when the unexpected is achieved through a combination of language, metaphor and spatial relation on the page/with the audience.

And then goes on to show his frustration with it:

I also argue against poetry.  Just say it, already and get over yourself!

Read the rest of his interview HERE.

The other mention we have is with Bay Area Playwright Festival and ROUGH Readings alum, Geetha Reddy.  She gets out all of her frustration, but telling the New York One-Minute Play Festival blog just how difficult it is to be a writer sometimes:

Here is what happens when your director sends you this email:
“Love your one minute play! Can you cut 30 seconds?”

First a Tantrum:
No. No I can’t. How can you ask me that!

See her hilarious account over at the NYOMPF blog.
Thanks for the New York One-Minute Play Festival for posting these, yet again, and DO NOT FORGET! This weekend: Saturday, 18 December, and Sunday the 19th are the FIRST EVER... FIRST ANNUAL San Francisco One-Minute Play Festival.  Tickets are ALMOST sold out, so don't forget to grab yours here!

Festival Alum Reflects on Writing One-Minute-Plays

Bay Area Playwrights Festival alum, and all-around cool lady, Erin Bregman, shares her thoughts on writing for the FIRST ANNUAL SAN FRANCISCO ONE-MINUTE PLAY FESTIVAL (December 18th & 19th at the Thick House, in Potrero Hill) with the NY One-Minute Play Festival Blog:

Six weeks ago I opened the longest, most exciting email I had ever received from someone I didn’t know–it was Dominic D. soliciting writers for the 1^st annual San Francisco One-Minute Play Festival. (Actually, that’s only a half truth. The email was partially authored by the beloved Jill MacLean of the Playwrights Foundation, but we’ll let that particular detail slide for the sake of superlative.) Like any responsible person would do after receiving an emailed request from a total stranger, I wrote back immediately and accepted his proposition.

Read the rest over at their blog: “Writing a one-minute play wasn’t nearly as hard as I thought it would be.”

Come see Erin, and our whole plethora of plays, playwrights, and actors December 18 and 19 at the Thick House: 1695 18th St, between Carolina and Arkansas.  Tickets are $15: http://www.brownpapertickets.com/event/137981